
Yoroshiku Podcast
Listen on Spotify or SpiritLive
The Project:
Synopsis:
The term Yoroshiku, or Yoroshiku Onegaishimasu, has several definitions in the Japanese language, from “Nice to meet you!” to “Thank you,” to “Let’s work hard together.” Much like the term itself, Japanese culture is rich, nuanced and filled with meaning.
As a Japanese-Canadian who has never felt quite Japanese enough, host Ailey Yamamoto is on a mission to learn more. Join her as she uses everyday objects to explore the intricacies of Japanese society from the perspective of someone distinctly embedded in two very different cultures.
Why me, and why this story?
As the sole producer of Yoroshiku, I researched, wrote, hosted, and mixed this episode.
This episode, “The Obento,” uses the concept of the Japanese lunchbox to explore motherhood in Japan. Through an interview with NYT Tokyo Bureau Chief Motoko Rich, a live cooking segment, and personal research and reflections, the episode takes a deep dive into the deeply embedded patriarchal cultures that are contributing to Japan’s alarming population decline. At the same time, we look into the other side of the Obento: a culture of dedication, creativity, and love.
It’s no secret that Japanese culture has spread worldwide; from media to technology to cuisine, Japan is everywhere. I’m over the moon about this, but I often see very one-dimensional perspectives on Japanese culture. Perspectives that fetishize the culture, erase its flaws, or ignore its nuances.
As someone who grew up in both Japanese and Canadian cultures, I feel that I’m uniquely situated to explore those nuances and help people better understand them. I’m also on a journey to learn more about Japanese culture myself. This podcast was the perfect way to do that, combining my passions for Japanese culture, exploring social issues through storytelling, and the art of podcasting.
This podcast was the most intensive, difficult project I’ve done. Securing the NYT interview, managing a live audio cooking show, and hours of research and scripting were just some of the challenges that this piece brought. Most of all, it was a massive editing undertaking! From choosing the right music to perfecting the finale sound story, this experience was difficult but undoubtedly made me a stronger editor. It was time-consuming and frustrating at times, but completely worth it once all the moving pieces were put together. This is one of my proudest works!
The Process:
Take a behind-the-scenes look into how Yoroshiku came to life.

The final interview mix.

A closer look at the mix. Every answer required multiple cuts to make answers more concise, cut out disruptive noise, and help the interview flow better. Removing background noise and deciding what to cut were the biggest challenges.

An unedited podcast cover photo option. We tried a bunch of different orientations of the fork and chopsticks.

The final interview mix.
The Results:
Yoroshiku in the real world!

The cover tile for the podcast. Photo by Joshua Storm.

The banner image for the podcast. Photo by Joshua Storm.

Yoroshiku won the "Best Podcast or Radio Show" award at TMU's 2023 TARA Awards. This is me accepting the award.

The cover tile for the podcast. Photo by Joshua Storm.
Credits:
This podcast featured an interview with New York Times Tokyo Bureau Chief Motoko Rich. It also featured guests Mary Rodgers and Alex Lilley. The cover photo was photographed by Joshua Storm. Music was sourced from DeWolfe Music. Sound effects were sourced from WeStar Music. It was created in RTA 996 - The Art of Podcasting under the guidance of Professor Lori Beckstead.